最近期的古典吉他杂志信息

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March 2005: Volume 23 Number 7
Frederic Hand
Marc Maingard
Anna Pietrzak
Arhanes 2004
Lily Afshar
More Than Six (Part Two)
Dorset Guitar Society
Events, Festivals & Competitions
Concert Diary
Teachers & Societies Directories
Letters

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GUITAR REVIEW #129
FREE CD featuring the music of Sébastien Vachez and Boris Gaquere

Articles:



• Pitch Organization in Leo Brouwer's Atonal Guitar Music by Paul Century, Ph.D.

• Meeting Composer Leo Brouwer by Clive Kronenberg

• Live Digital Processes for Guitar by Christopher Tignor

Columns:



• Michael Bard and Corey Whitehead interview by Stephen Griesgraber

• On CD by Jim Tosone, Matthew Hough, Ian Gallagher, and James Hanna

• On DVD by Michael R. Lawrence, and Cullen Gallagher

• Concerts in Review by Anthony Bez, JIm Tosone, and Paul Cesarczyk

• Rose Augustine In Memoriam by Sharon Isbin

Music:



• Surfacing Through the Mire by Michael Nicolella

• Circular Study by Mark Delpriora

• Nocturne by Marc Chan

• Manipulação by Frank J. Oteri

wangjianguo

Volume XXX (30) No. 3 - TOC
Order Online Reverberations: compiled by Scott Saari   Julio Gimeno García:  The “Tárrega School,” According to the Methods …    David Tanenbaum:  Lou Harrison and the Guitar Thomas F. Heck:  A Relaxing Way to Hold the Guitar: Variation on a Theme … Matthew Hinsley:  An Introduction to Castelnuovo-Tedesco’s Vogelweide, Part 1 Martha Masters:  Notes from the Road: A GFA Tour Journal     Gregg Goodheart:  Pre-College Classical Guitar Education: Why?Donald Miller:  The New Frontier: Developing Guitar Reading Skills … Charles Wolzien:  Interpreting Meter & Proportions in French Renaissance … MusicThe Transcriber's Art:  J. F. Burgmüller, Two Pieces, ed. by Richard Yates
Soundboard's Featured Facsimile:  The Spanish Fandango …, ed. by John King
GFA Contemporary Music Series:  “Junto al mar,” by Tulio Peramo      
The Guitarists' Album:  C. G. Scheidler, Thême de Mozart, Varié, ed. by R. M. Long
Jason Vieaux, interviewed by J. Andrew DickensonAna Vidović, interviewed by Frank Vinko MustacJohannes Tonio Kreusch, interviewed by Gerry Kubic
2004 Guitar Symposium, Columbus, Georgia, by R. M. LongTenth Annual Rantucci Guitar Festival, Akron, Ohio, by Alex DeanVolos, St. Petersburg, Kyustendil, Aranda de Duero, Hondarribia, etc.
by U. Dojčinović
Scores:  compiled by David GrimesRecordings:  compiled by James Reid
Publications Received:  compiled by David GrimesWorks in Progress/Completed:  compiled by Thomas Heck

ling

赞！版主里面最勤劳的一个。

wangjianguo

由琴能补拙   转为勤能补拙了。

andyxuan

冒昧问一句,建国兄是做什么行业的哈?

阿凡提

Frederic Hand 是个很值得关注的人物,最近正在找Frederic Hand 的一些东西,好像演奏他作品的人不是很多.

wangjianguo

以下是引用andyxuan在2005-3-5 2:50:56的发言：
冒昧问一句,建国兄是做什么行业的哈?
这个这个，不算有闲行业。金融业。

wangjianguo

Frederic Hand http://www.melbay.com/authors.asp?author=28Frederic Hand was born in Brooklyn, New York, in 1947 and is a graduate of the Mannes College of Music. Fred was a Fulbright Scholar to England, and a student of Julian Bream. As a soloist he has toured North America and Europe, and has given masterclasses at the New England Conservatory, Yale University, and Dartmouth College, among others. He has been a guest artist with numerous orchestras and ensembles, including the New York Philharmonic, the Mostly Mozart Festival, and the Marlboro Music Festival. In 1986 Fred was appointed guitarist and lutenist with the Metropolitan Opera. He performed and arranged the theme from the Academy Award-winning film Kramer vs. Kramer, and his television scores include and Emmy Award for The Guiding Light. He is the director of the guitar program at the State University of New York at Purchase and also serves on the faculties of the Mannes College of Music and Bennington College. Fred lives in upstate New York with his wife, Lesley.

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http://www.homespuntapes.com/artists/artistpage.asp?artID=398Frederick Hand's 30-year recording, composing and touring career has garnered rave reviews from critics throughout the world. He has performed with Luciano Pavarotti, Placido Domingo, Zubin Mehta, Pierre Boulez, The Waverly Consort, Mostly Mozart Orchestra and his own ensemble, Jazzantiqua. He arranged and performed the theme from Academy Award-winning film "Kramer Vs. Kramer," which led to best-selling recordings "Baroque and On The Street" (Sony) and "Jazzantiqua" (Musicmasters/BMG). Mr. Hand is currently on the faculty of Mannes College of Music and has given masterclasses at the New England Conservatory, Boston Conservatory, Yale University and Emory University. His compositions are published and recorded around the world. He is the 1996 Emmy-award winning composer for "The Guiding Light." The New York Times wrote, "He played unerringly, with all the verve and spirit that one could ask," while the Milwaulkee Sentinel called Hand "A brilliant master of the guitar."出版的DVD视频片段：http://www.homespuntapes.com/media/22.wmvhttp://homespun.powerusermedia.com/Homespun_Tapes/VD-HND-GT02_Guitar2.wmv

wangjianguo

哦，这个网站http://www.homespuntapes.com/artists/artistpage.asp?artID=398还见到了FISK的视频片段。http://homespun.powerusermedia.com/Homespun_Tapes/VD-FIS-GT01_Guitar2.wmv

阿凡提

看了下Frederick Hand的片断,感觉还真是很不错,是我比较喜欢的那种音乐类型,FISK的那张以前看过,由于太多的讲述属于比较郁闷的那种,远没有他弹帕格尼尼24首奇想曲那张充满激情.FISK的音色在好多人来看是粗糙的,我觉得却有另外一种原始的美.唯美的音色,那只不过音乐的一种表现方式而已,音乐还是需要多元话的.应该挖掘的是什么样的音色和音乐更适合你,不要一味的盲从,不同时期人们对音乐的理解都会有很大的转变.接触音乐越多这种转变会更快吧.再次感谢斑竹提供了这么多好的资料.

wangjianguo

FISK作为segovia的继承人，音色继承了segovia的特点，又加入了自己的速度和激情，还是很不错的。说实话，古典吉他玩的仍然是个性，一板一眼的演奏谁都会，但要让别人记住自己、要拓展自己的演出市场，必须得有自己的特色；在这点上，杨雪菲比王雅梦走得更远，这是很显然的。

szzquan

建国同志你好，我听说新一期古典吉他杂志有介绍苏萌的文章，请翻译一下。我还没拿到这期杂志，据说评价非常高且还有照片。谢谢你前一段提供的信息，否则我险些为深圳引进一个坏老师。

wangjianguo

很好，拿到文章后发上来啊，其实这些杂志我都没有订，哈哈。